Showing posts with label analysis. Show all posts
Showing posts with label analysis. Show all posts

Thursday, 2 November 2017

"The Ecstacy" by John Donne


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Assignment on "The Ecstacy" by John Donne

Name: Dharaba Rayjada
Semester: 1
Roll No.: 8
Paper No.: 1 The renaissance literature
Enrolment No.: 2069108420180045
Email id: dharabarayjada021@gmail.com
Year: 2017-18
Submitted to: Department of English Maharaja Krishnkumarsinhji Bhavnagar University

The Ecstacy by John Donne

WHERE, like a pillow on a bed,    
A pregnant bank swell'd up,
to rest  The violet's reclining head,    
Sat we two, one another's best.

Our hands were firmly cemented  
By a fast balm, which thence did spring ;
Our eye-beams twisted, and did thread    
Our eyes upon one double string.

So to engraft our hands, as yet    
Was all the means to make us one ;
And pictures in our eyes to get    
Was all our propagation.

As, 'twixt two equal armies, Fate    
Suspends uncertain victory,
Our souls—which to advance their state,    
Were gone out—hung 'twixt her and me.

And whilst our souls negotiate there,    
We like sepulchral statues lay ;
All day, the same our postures were,    
And we said nothing, all the day.

If any, so by love refined,    
That he soul's language understood,
And by good love were grown all mind,    
Within convenient distance stood,

He—though he knew not which soul spake,    
Because both meant, both spake the same—
Might thence a new concoction take,    
And part far purer than he came.

This ecstasy doth unperplex    
(We said) and tell us what we love ;
We see by this, it was not sex ;    
We see, we saw not, what did move :

But as all several souls contain    
Mixture of things they know not what,
Love these mix'd souls doth mix again,    
And makes both one, each this, and that.

A single violet transplant,    
The strength, the colour, and the size—
All which before was poor and scant—    
Redoubles still, and multiplies.

When love with one another so    
Interanimates two souls,
That abler soul, which thence doth flow,    
Defects of loneliness controls.

We then, who are this new soul, know,    
Of what we are composed, and made,
For th' atomies of which we grow    
Are souls, whom no change can invade.

But, O alas ! so long, so far,    
Our bodies why do we forbear?
They are ours, though not we ; we are    
Th' intelligences, they the spheres.

We owe them thanks, because they thus    
Did us, to us, at first convey,
Yielded their senses' force to us,    
Nor are dross to us, but allay.

On man heaven's influence works not so,    
But that it first imprints the air ;
For soul into the soul may flow,    
Though it to body first repair.

As our blood labours to beget    
Spirits, as like souls as it can ;
Because such fingers need to knit    
That subtle knot, which makes us man ;

So must pure lovers' souls descend    
To affections, and to faculties,
Which sense may reach and apprehend,    
Else a great prince in prison lies.

To our bodies turn we then, that so    
Weak men on love reveal'd may look ;
Love's mysteries in souls do grow,    
But yet the body is his book.

And if some lover, such as we,    
Have heard this dialogue of one,
Let him still mark us, he shall see    
Small change when we're to bodies gone.

Analysis of poem

Lets first look at the definition of ecstasy according to Grierson “ Ecstasy in neo-platonic philosophy was the state of mind in which the soul, escaping from the body attuned to the vision of God, the one the absolute.” “The ecstacy” is written by john donne an english poet and considered the pre-eminent representative of the metaphysical poets. This poem is metaphysical poem in which poet shows the far-fetched images to express their usual feelings. In these types of poems at first reading its look like about god or religion but after deep understanding we come to know that the poem also has the theme of love.

The poem which is presented here talk about the love, the eternal love. First its talking about love of two souls where body has no need then they come to conclusion that as soul body is also has same importance because the body is the medium of meeting two people they also question religion that why they denies body and only think soul as pure while body is equally important. So lets see what john donne wants to say here.

In the very first stanza poet describe the scenery where they are at river bank and sitting on a hill and lie there and there is violet’s also, and in the very first stanza poet use the sexual elements like bed, pillow and pregnant which he use for hill. While in second stanza they both are looking In to each other’s eyes and the beams are coming out of their eyes which are threaded their eyes and make their bond their hands are cemented. In short here both are sink in each other’s love.

The third stanza Donne states that the lovers hands were all they had to make themselves into one, further, he says that the reflections in their eyes were their only way to propagate.
Stanza four uses a metaphor of armies to describe their souls. The two are equal armies, and Fate keeps victory uncertain, which is like the way the lovers souls are suspended.

Furthering the army metaphor, stanza five has the souls negotiating as their bodies lie like memorial statues. They remained that way the whole day and said nothing to each other.

The next stanza postulates whether any man can be so refined in love that he can understand the language of the soul, and furthermore, if that "good" love of the mind stood at a convenient distance.

Stanza seven relates that the two souls now speak as one; they may take a concoction and leave that place better off than when they arrived.

The eighth stanza states that their state of ecstasy "unperplexes" or simplifies things, and they can see that it was not sex that motivated them.

The ninth stanza furthers the idea that two lovers are one soul which is mixed each a part of the other.

The next uses a metaphor of a transplanted violet to show how two souls can be interanimated and how this "new" soul can repair the defects of each of the indivuals souls.

The eleventh stanza again furthers the idea of two souls as one. It says that the lovers know what they are made of, and that no change can invade them.

The next stanza asks why the bodies are left out, and it says that although the soul is the intelligence, the bodies are the sphere which controls them, like the celestial spheres.

Stanza thirteen thanks the bodies for their service of bringing the soul to be and for yielding their senses. The bodies are not impurities that weaken, but rather alloys that strengthen us.

The next stanza relates the method of how the body and soul are related. Heavens influence does not work on man like other things. It imprints the air so that people souls may flow out from the body.

Stanza fifteen tells how our blood works to make "Spirits" that can help the body and soul together make us man.

Stanza sixteen postulates that lovers souls must give in to affections and wits that our bodies provide. If not, we are likened to a great prince in prison.

The next stanza says that we turn to our bodies so that weak men may look at them, but that loves true mysteries are grown in the soul. The body is just the souls "book."

The last stanza sums up the scene by speculating how they would be regarded by another lover in their "dialogue" of the combined souls. Donne says that this lover will see a small change when their bodies are gone.

To sum up

The images in The Ecstasy focus on the relationship of the soul to the body. Donne begins with visual images of water, hands, perspiration and things that are physical in nature. He proposes that two lovers souls are formed into one and uses metaphors of alloys, celestial spheres and even a violet to to make his point. Furthermore, Donne describes the process at work in the body by relating the mechanisms of blood and air.

Reference

Study materials

http://www.poetsforum.com/papers/221_5.html


Anti-sentimental comedy


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Assignment on Anti-sentimental comedy

Name: Dharaba Rayjada
Semester: M.A - 1
Roll No.: 8
Paper No.: 2 The neo-classical age
Enrolment No.: 2069108420180045
Email id: dharabarayjada021@gmail.com
Year: 2017-18
Submitted to: Department of English Maharaja Krishnkumarsinhji Bhavnagar University

Anti-sentimental comedy

Before start talking about what is anti-sentimental comedy lets fist know what is sentimental comedy.

Sentimental comedy

This form of comedy is popular in 18th century which is related to our emotions like sorrow, pity, and compassionate sympathy. Richard steel was the pioneer of sentimental comedy and his best known comedy is “The conscious lover”. In sentimental comedies middle-class protagonists truimphantly overcome a series of moral trails. In this comedy the characters are either thoroughly good or bad. The hero is full of virtues and no faults while the villain is full of vices and the purpose of the author is to show morality.  It has just name of comedy but it is like tragedy more because there is no laughter, there is only preaching and tears they show only that people should have to be like good character of the drama.


Introduction of Anti-sentimental comedy

This form of comedy is came in 18th century which is reaction against The sentimental comedy. It is also called as comedy of manners. The pioneer of anti-sentimental comedy is Oliver Goldsmith who first criticized sentimental comedy in his essay “essay on theater”. He make an attempt to ridiculed the sentimental comedy and he also shows this in his works also. He thinks that the function of comedy is to provide laughter and wit not the tears but sentimental comedy make viewers shed in tears.

Richard Sheridan, who also write anti-sentimental comedy and against Sentimental comedy. He Believes that comedy is not for preaching or give moral lessons it should provide fun. If comedy also make people cry then what is need of tragedy. Sentimental comedy is better to call tragedy then comedy.

After the rebel of these writers against a sentimental comedy, the form of sentimental comedy is lost now there is no more comedy of weeping of preaching or moral lessons or with serious emotions now there is new form of comedy The anti-sentimental comedy which is comedy of wit and laughter. The anti-sentimental comedy is pure comedy because it generates laughter.

Characteristics of Anti-sentimental comedy

Here lets see some characteristics of anti-sentimental comedy. In the characteristics of anti-sentimental comedy it includes wit, laughter, farce, irony, disguise.

Wit is a form of intelligent humours, the ability to say or write things that are cleaver and usually funny. Author choose words very clearly which produce fun. Laughter is the soul of comedy and the main function of comedy is to give laughter which anti-sentimental comedy fulfills but not sentimental comedy. Its third characteristic is farce, farce is a comedy that aims at entertaining the audience through situations that are highly exaggerated. Then the irony is the usage of words to convey a meaning that is the opposite of its literal meaning which helps to create laughter. The last characteristic is disguise which used in anti-sentimental comedy as an important tool. It is something like to modify the manner or appearance of a person through wig, glasses, makeup, costume or other ways.

Now lets see the three comedies of Oliver Goldsmith and Richard Sheridan.

She stoops to conquer by Goldsmith

Goldsmith was a Anglo-Irish author. This play first performed in London in 1773. It is one of the few plays from the 18th century to have an enduring appeal. It has been adapted in to a film several times and also has title “Mistakes of a night”.

Play starts with Sir Charles Marlow arranged the meeting between kate, daughter of Mr. Hardcastle and his son charles marlow. Now marlow and his friend hasting come to meet kate but at night they goes to the elehouse named three jolly pigeons at there they meet tony lumpkin who is step-brother of kate and he is too mischievous he told marlow that they are very far from their destination and they should stay at near inn and the inn which he shows is the house of Mr. Hardcastle.

Now marlow goes to hardcastle’s house misunderstanding it as inn  and marlow treat lower class people very badly. Kate comes to know about the trick of tony and she wants to know the real character of marlow so she disguise herself as bar-maid. They both fall in love with each other.

There is also sub-plot of love between hasting and Constance they both make plan to elope but constance refuse it because she wants her jewels which her aunt keep mrs.hardcastle, she wants to marry constance to her son tony lumpkin because she wants to keep that jewels in family  but tony don’t wants to marry constance so he helps constance to take jewels from his mother and at the end sir charles marlow comes and all solves the mistake. And that’s how the play ends.

The Rivals by Sheridan

The play is written by Sheridan and play set in Bath in 18th century London. The heroin of our play is Lydia and hero is jack absolute. Lydia reads popular novel of that time and wants purely romantic love affair and to woo lydia, jack deisguise himself as ensign beverley, a poor officer, lydia fall in love with him and both make plan to elope.

There is other two men also who loves lydia one is the friend of jack bob acres, and other is sir lucious. Sir lucious also sends love letters to lydia with the name of delia through her maid lucy but lucy gives it to mrs.malaprop and mrs.malaprop atarted talking with sir lucious with the name of delia.

Now sir anthony absolute who is father of jack , suddenly comes to Bath and arranged marriage of jack, first jack refuses because he loves lydia but after by the talking of servents he comes to know that his father also arranged marriage with lydia now he act as very submissive to his father and ready to meet lydia. Now lydia refuse jack and says that she loves ansign beverley. There is one other love story of jack’s friend faukland and julia but he suffers from jealous suspicion. They both fighting foolishly and Sheridan shows it as satire.

After that bob told sir lucious that beverly also loves lydia now lucious suggests for duel fight with beverly and bob agrees he write duel note and don’t send it with servant now lucious leaves and jack arrives, bob told him about his plan of duel jack agrees to give that note to beverly. Jack and lydia meet again and lydia comes to know about jack’s disguise as beverly she gets dissapoint and rejects jack. Meanwhile sir lucious come to know about the marriage of lydia and jack he also calls jack for duel fight now jack is frustrated by the rejection of lydia he agree for fight. Now the time of bob and beverley and lucious and jack for duel fight is same. At duel ground bob comes to know that jack is beverley and he step back from duel because he don’t want to fight with friend but lucious and jack fights now david informs mrs.malaprop , lydia, julia, and sir absolute about duel fight and they rush to stop it now lucious tell reason for fight but lydia clearly refuse love with lucious and accept jack’s love mrs.malaprop agrees that she is delia by knowing this lucious feel intriguing, julia and faulkland is reconciled and at the end bob acres invites everyone to a party.

The school for scandal by Sheridan

A play in five acts by British playwright Richard Brinsley Sheridan, The School for Scandal was first produced at the Drury Lane Theatre, London, in 1777. With its spirited ridicule of affectation and pretentiousness, it is considered by many to be the finest comedy of manners in the English language. The play’s action centers around scandalmongers who frequent Lady Sneerwell’s house and delight in spreading malicious gossip.

At the start of the play Charles is in love with Maria, Joseph is in love with Maria, Sir Benjamin is in love with Maria, and Lady Sneerwell is in love with Charles. Charles has a horrible reputation for being a gambler and a ladies' man. Sir Oliver is coming to town secretly with the help of Rawley in order to see which of his nephews is worthy of his money. Sir Peter and Lady Teazle are having a hard time with their marriage because she is very young and he is older. Lady Sneerwell is plotting with Snake and Joseph to make Sir Peter think that Lady Teazel is having an affair with Charles, so that Maria will not love Charles so Lady Sneerwell can marry Charles and Joseph can marry Maria. The play really starts to go crazy when Sir Oliver arrives. He wants to test his nephews and see what kind of people they are so he has sent a letter from an imaginary distant relative, Mr. Stanley, asking for money. When Sir Oliver arrives he pretends to be a money lender, Mr. Premium. He goes to Charles and offers to buy all the portraits of his ancestors. Charles will sell all the portraits except the one of Sir Oliver. This pleases Sir Oliver and he then sets out to test Joseph. He goes to Joseph and pretends to be Mr. Stanley, asking for money. Joseph says no and shoos him away because he is preoccupied. While trying to woo Maria, Joseph inadvertently got Lady Teazle, so he invites her to his house. She comes over, but suddenly Sir Peter shows up. Lady Teazle hides behind a screen while Joseph tells Sir Peter that Charles is not having an affair with his wife. Charles comes and Sir Peter hides in a box so that he can hear that Charles is not guilty. Joseph also tells Sir Peter that he has a French lady behind the screen. Charles comes in and says he is not having an affair, but indicates that Joseph is. Charles finds out that Sir Peter is hiding in the box and calls him out. Then Joseph has to go out to deal with another guest. Sir Peter and Charles decide to look at the French girl that Joseph has in his house. They pull down the screen and Joseph comes back just in time to see that Lady Teazle has been revealed to Sir Peter. They all stand in silence until Lady Teazle tells Sir Peter how touched she is by all the things he said while she was hiding. They vow to improve the marriage. The gossips of the town try to decide if it was Joseph or Charles who was having the affair with Lady Teazle. They all come together at Joseph's house and Sir Oliver reveals himself. He tells how he prefers Charles to Joseph and then Lady Sneerwell tries to say that Charles has gotten her pregnant. Fortunately, Snake reveals the truth about all the schemes and clears Charles's name. Charles and Maria are to be married and all is well.

To sum up

Goldsmith and Sheridan writes very little of anti-sentimental comedy but whatever they contribute its greate and still has the same value and because of their effort the comedy which is more like tragedy names sentimental comedy lost its name and weeping comedy is gone and the true comedy which provides laughter to audience is become famous.

Reference

https://en.m.wikipedia.org/wiki/Oliver_Goldsmith
https://en.m.wikipedia.org/wiki/Sentimental_comedy